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“The idea was to connect the two languages, and I didn’t know how,” says Lavi Turkenich. Proto-Canaanite inscription found in Israel has experts squabbling over its meaning
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Some in East Jerusalem regret neglecting Hebrew, ‘language of the occupier’ I’m accustomed to bragging about being a resident of Haifa, but in effect I don’t read or pay attention to a third of the signs in my city.Īrabrew: Can new typeface create Arab-Jewish equality in Israel?Ĭan an alphabet merging Hebrew and Arabic promote coexistence? “I was sitting in a four-seat compartment, in which there’s a pair of seats facing each other, and I was curious to read what they were reading upside-down opposite me, and then I also saw the sign at the exit from the city, which is written in three languages, and I realized that I had no idea what was written in Arabic – that really hit me. 'I realized that I had no idea what was written in Arabic.' Rami Shllush The font's designer Liron Lavi Turkenich. Just as surprising as the size was the script, which combines Hebrew and Arabic letters, so that it can be read simultaneously in the two languages.
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The sculpture, 13 meters long and five meters tall, with an aluminum skeleton, a plexiglass coating and LED lighting, bears the name of the pavilion: El Hamahar (“Toward Tomorrow”). The entry ramp (designed to emulate the desert sand dunes in the Holy Land and the Middle East) led to a unique typographic sculpture. Two weeks ago, at the exposition’s dedication ceremony, the distinguished guests to the Israel pavilion found a surprise. The design by the architect David Knafo and AVS, winners of the much sought-after contract, is meant to convey openness and acceptance, a 2020 version of “Abraham’s tent.” When the Israeli pavilion was unveiled two years ago, lacking walls or barriers, it created a sensation. After a year’s delay due to the pandemic, Expo 2020 Dubai opened this month.